tag:blogger.com,1999:blog-46802467192880760252024-03-13T13:43:37.227-07:00Magdalena Franczakfhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comBlogger82125tag:blogger.com,1999:blog-4680246719288076025.post-66089610501427509612024-02-06T11:46:00.000-08:002024-02-06T11:48:20.403-08:00LOOK AROUND / PRAGUE QUADRIENNIAL 2023<p> </p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf7LmrBPoeppo9LTx9ZCbuj3bo_QiMtU_5GTVDD58xj9MpXvmccp6RmNdHSsIekA8HRJENsWLQt6DyXuzR1YCAPvLSzShgg2bhCZYrHMlisVdcbnBX9gIoyLy3PVrl8NsuaBOQjBZqnO7gzg8EWIpZgcqCkM_EWa8Kjb8JwUtglIlizQMHl9VK3_6tiEY/s960/blogspot_pq12.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf7LmrBPoeppo9LTx9ZCbuj3bo_QiMtU_5GTVDD58xj9MpXvmccp6RmNdHSsIekA8HRJENsWLQt6DyXuzR1YCAPvLSzShgg2bhCZYrHMlisVdcbnBX9gIoyLy3PVrl8NsuaBOQjBZqnO7gzg8EWIpZgcqCkM_EWa8Kjb8JwUtglIlizQMHl9VK3_6tiEY/w640-h426/blogspot_pq12.jpeg" width="640" /></a></div><span style="font-size: x-small;">fot. Zuzanna Berendt</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx1N29yMWT9_w68seeqdgZiGTT-1WnFPfXB6-4Xc0UJeR0iu7Q-FriRaqMKZFYLS_b0GAupoANPCr4dkqQ6wAzgDD_cqGWHd9OBFaXOKiry_ykYCvXwiu0gFMrKouLESO_XxONwGQ1-zqw1LAk4eC3WkD0lI7q-7gj8epEzfvUBrMAeg4mdHsCZG5k1S8/s4032/IMG_1554.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx1N29yMWT9_w68seeqdgZiGTT-1WnFPfXB6-4Xc0UJeR0iu7Q-FriRaqMKZFYLS_b0GAupoANPCr4dkqQ6wAzgDD_cqGWHd9OBFaXOKiry_ykYCvXwiu0gFMrKouLESO_XxONwGQ1-zqw1LAk4eC3WkD0lI7q-7gj8epEzfvUBrMAeg4mdHsCZG5k1S8/w480-h640/IMG_1554.jpeg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqltvR_pba68yp5RfdFTe6IjSIjaEP_R64FrFh44fTceYJmSR7l5FN3TLoa6ez-mlRpLI-1fnRm_0Bu5O7hn7UZmLbCbn4O3u0HFBuzvM5weX8E1U5INtrk6Juw_LJK7Wh96hpgBqn9-bHyN7RwCjB2mTkPM4cD_2MzU_Q2xuiEEpd6N5oF-ioj2q2eng/s1382/GK8B8742%20copy.jpg" style="margin-left: 1em; 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text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikgtfgBCeHstFZQyGNHlcDPwTL8G8jWeXIMFk8JUy1bwTzyC63E_JFjk2EpIvLuIhAGLiuq7A3rCK5CWpU44ZBr1gdSrKvdSftIiWf8pYZg68Kgqw3EPy3xbbDiH2iGCksD58Kf6zGM6tayzjoxku4-6dKOVDn6qibufFlYjbwg6IDNC5W-d4oZcEdmno/s1382/GK8B9094%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="922" data-original-width="1382" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikgtfgBCeHstFZQyGNHlcDPwTL8G8jWeXIMFk8JUy1bwTzyC63E_JFjk2EpIvLuIhAGLiuq7A3rCK5CWpU44ZBr1gdSrKvdSftIiWf8pYZg68Kgqw3EPy3xbbDiH2iGCksD58Kf6zGM6tayzjoxku4-6dKOVDn6qibufFlYjbwg6IDNC5W-d4oZcEdmno/w640-h426/GK8B9094%20copy.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: "Work Sans"; font-size: small;">Photographs </span><span style="font-family: "Work Sans"; font-size: small; text-align: left;">Markéta Bendová (licensed by Instytut Teatralny im. Zbigniew Raszewski)</span></div><div style="text-align: left;"><span style="font-family: Work Sans;"><p style="margin-bottom: 0cm;">The format of the Polish pavilion for the Prague Quadrennial 2023 international scenographic exhibition is reflected in the term “crossroads.” It is a meeting spot for various research and artistic paths that lead to the creation of an installation and audio walks, and a starting point for participants to explore the space extending beyond the exhibition halls. The Polish pavilion is situated at an intersection of relationships between humans and non-humans, different materialities and temporalities. All these relationships unfold in the distinct location of this year’s Quadrennial: a former slaughterhouse in the Holešovice district. <a href="https://praskiequadriennale.pl/en/pq-2023/look-around-wystawa-krajow-i-narodow/" target="_blank">more..</a>.</p><p style="margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkZK1ZkYRFueqFmZraHwjdWQYwW03TZE0HQlL1l3oC15k067ctce31gEj_JyjS4oP9X41g-xHg7CfG9c2CqlJr5CMyfyf-YCtXUmN-ThP_7MThgqbs1SIBXqt9-7SCM9ihyYuP294yYJNOnnwJpHKNIufCXbmLhk4VlQpVCILFfA__s26leHUXA25jQI0/s960/blogspot_pq_echoes.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkZK1ZkYRFueqFmZraHwjdWQYwW03TZE0HQlL1l3oC15k067ctce31gEj_JyjS4oP9X41g-xHg7CfG9c2CqlJr5CMyfyf-YCtXUmN-ThP_7MThgqbs1SIBXqt9-7SCM9ihyYuP294yYJNOnnwJpHKNIufCXbmLhk4VlQpVCILFfA__s26leHUXA25jQI0/s320/blogspot_pq_echoes.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">LOOK AROUND audio walks at echoes.xyz app</span></div><p style="margin-bottom: 0cm;">Formułę polskiego pawilonu stworzonego na międzynarodową wystawę scenograficzną Praskie Quadriennale 2023 oddaje termin “rozdroże”. To miejsce spotkania się różnych ścieżek badawczych i artystycznych, które prowadzą do stworzenia instalacji i spacerów dźwiękowych oraz miejsce, z którego odbiorcy będą mogli rozpocząć doświadczanie przestrzeni rozciągającej się poza halami wystawienniczymi. Polski pawilon sytuuje się w sieci relacji między ludźmi i nie-ludźmi, różnymi materialnościami i czasowościami, które rozwijają się w szczególnym miejscu ulokowania tegorocznego Quadriennale – dawnej rzeźni w dzielnicy Holešovice. <a href="https://praskiequadriennale.pl/pq-2023/look-around-wystawa-krajow-i-narodow/" target="_blank">więcej...</a></p><p style="margin-bottom: 0cm;">Collective Team: Zuzanna Berendt, Ludomir Franczak, Magdalena Franczak, Michał Fronk, Anna Majewska, Sára Märc, Ida Ślęzak<br />Collaboration: Petr Dlouhý, Katharina Joy Book, Michał Sałwiński, Zuzana Šklíbová<br />Music: Marcin Dymiter, Ola Rzepka, Tokyo Drift – Pavla Bastlová<br />Voices: Małgorzata Biela, Anna Majewska, Sára Märc</p><p style="margin-bottom: 0cm;">Artistic Intervention within the Polish Pavilion at PQ 2023: Agata Siniarska<br />Lecture in the Polish Pavilion during PQ 2023: Marco Stella, "We Have Never Been Humans, They Have Never Been Animals: Some Thoughts on Animal Domestication and Coevolution"<br />Graphic Design for the Pavilion: kilku.com (Idalia Smyczyńska, Robert Zając)</p><p style="margin-bottom: 0cm;">Producent: Zbigniew Raszewski Theatre Institute<br />Producers: Anna Rudek-Śmiechowska, Krystyna Mogilnicka, Karolina Dziełak-Żakowska</p></span></div></div>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-8174322402735947482023-09-30T00:19:00.000-07:002024-02-06T11:43:16.182-08:00Sprzedawcy śniegu/ Those who are selling snow/Muzeum Osiedli Mieszkaniowych/2023
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padding: 1em 0px; text-align: center;"><img border="0" data-original-height="640" data-original-width="960" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgndC_b5tg0NqiZoGgX2y2RVMuq2oL-0PHy0NIlKp79AUpx_gNoWL1VPEAwel5zG5YphyDBXYzg10WbpBTx7jgNBbiteP2R42Y3QZKXY6XExLDWNaIjkEwKM5H1Nbfq7qFsO9pZn7b1FN2Sfd0UxYKnHRemGgJJiBycj7YDr0bExXiIbUx15ktrptEXZd4/w400-h267/blog4.jpg" width="400" /></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXUw774elyvnnDM_1oglMg96H6TJyKkfhTR376sKy6c4-uZg8sunokAn28sxc2v4Ah0Mn-hfUGPWGKMhwiEeiXgCTi9_idWoJqCyh8wbZOyREAEU4pFyB0ZhTqNfmQvM1YykbIPDlWLa6GKOdLMQchwFycpc-yzHv4smdJleZGyzRq-1sNCOVgCtKBQmc/s1600/blog5.jpg" style="display: block; padding: 1em 0px; text-align: center;"><img border="0" data-original-height="640" data-original-width="960" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXUw774elyvnnDM_1oglMg96H6TJyKkfhTR376sKy6c4-uZg8sunokAn28sxc2v4Ah0Mn-hfUGPWGKMhwiEeiXgCTi9_idWoJqCyh8wbZOyREAEU4pFyB0ZhTqNfmQvM1YykbIPDlWLa6GKOdLMQchwFycpc-yzHv4smdJleZGyzRq-1sNCOVgCtKBQmc/w400-h267/blog5.jpg" width="400" /></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX2VsdbWEA3dqhD-ZtGuxffCgw-RN3shwwkMzqgQyo5d5VSEV7TUzKHURfMMqu9lLJMBZM3AlJ8NWugQFqEolL5l1HYu4jDWz-UJbRIW7oITVF5UwO9kj-_S__rfZIKwcQEe4hyiv9ZewMBNSXSyMDnhhPoWNo46CVEchovjboFsYjB3ZQQsexafCeOmM/s1600/blog6.jpg" style="display: block; padding: 1em 0px; text-align: center;"><i style="margin-left: 1em; margin-right: 1em; text-align: left;"><img border="0" data-original-height="640" data-original-width="960" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX2VsdbWEA3dqhD-ZtGuxffCgw-RN3shwwkMzqgQyo5d5VSEV7TUzKHURfMMqu9lLJMBZM3AlJ8NWugQFqEolL5l1HYu4jDWz-UJbRIW7oITVF5UwO9kj-_S__rfZIKwcQEe4hyiv9ZewMBNSXSyMDnhhPoWNo46CVEchovjboFsYjB3ZQQsexafCeOmM/w400-h267/blog6.jpg" width="400" /></i></a><span style="font-family: Barlow;"><br /> Małe sklepiki, zakłady usługowe, stoiska, tymczasowe konstrukcje.<span class="Apple-converted-space"> </span></span><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Lada, blat, stół, kawałek sklejki, fragment mebla. Wypełniają się towarami, które w ciągu dnia piętrzą się kusząc, wabiąc, zachęcając do zakupu. Ważna jest też rozmowa, wymiana informacji o tym, co się dzieje dookoła. Góra orzechów zamienia się wtedy w znikający węgiel lub rosnące ceny. Przemiana odbywa się pod wpływem wzroku osoby sprzedającej i kupującej, które patrzą wspólnie w jeden punkt stojąc po dwóch stronach stołu. Rozmowa jest towarem niepoliczalnym, topi się jak śnieg pod wpływem promieni słonecznych w momencie zawarcia transakcji. Jest ulotna i chwilowa, wzbudza tęsknotę za kontaktem z drugim człowiekiem, za niezwykłą przemianą towaru w opowieść, radę a nawet wróżenie z ręki. Co zrobić, jeśli zielone liście pietruszki wnikają w nasze linie papilarne przepowiadając przyszłość? Albo kiedy wzór z ulubionych gofrów pojawia się na suficie? Jakie emocje wzbudzają zamknięte drzwi ulubionego zakładu krawieckiego? I co się dzieje, kiedy zamiast towaru, na stołach leży śnieg?<span class="Apple-converted-space"> </span></span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">W 1983 artysta Dawid Hammons sprzedawał na jednej z ulic Nowego Jorku kule śniegowe. Pięknie ułożone, od największej do najmniejszej na kolorowym, pasiastym dywanie. Kuliste kształty performowały rozmowę, przełamywały barierę kontaktu, ośmielały artystę do rozmowy z nieznajomymi, ośmielały nieznajomych do rozmowy ze sprzedawcą kul śniegowych.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Zainteresowana pozaekonomiczną wartością sprzedaży zrealizowałam projekt „Sprzedawcy śniegu”, wystawa jest jego podsumowaniem.<span class="Apple-converted-space"> </span></span></span></p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX2VsdbWEA3dqhD-ZtGuxffCgw-RN3shwwkMzqgQyo5d5VSEV7TUzKHURfMMqu9lLJMBZM3AlJ8NWugQFqEolL5l1HYu4jDWz-UJbRIW7oITVF5UwO9kj-_S__rfZIKwcQEe4hyiv9ZewMBNSXSyMDnhhPoWNo46CVEchovjboFsYjB3ZQQsexafCeOmM/s1600/blog6.jpg" style="display: block; padding: 1em 0px; text-align: center;"><br /></a></div>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-76721097570822867552023-09-12T07:47:00.008-07:002023-09-30T07:55:26.128-07:00Areas of Uncertainity/Who is Janina Węgrzynowska?/Studio Gallery 16.01-12.03 2023/BWA Bydgoszcz 23.03- 21.05. 2023<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgfaVxzPlKAR5OY05eUYoP5ymtCyCNRuWvZAcbcCh8FN6DJ7tVkhNoH7MCjy8hlfp55ZdL68oVV5DNDEpZ1zQzZJltxui0tqGuvYDYqkpk7azlOch4R4cLofGeExzLdBaF4u8_z2-ucrr9HtFkemyfq99wnh_6QxoD27q4OxUVUOp0_K9xzJ0O-aLXsHiA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1024" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgfaVxzPlKAR5OY05eUYoP5ymtCyCNRuWvZAcbcCh8FN6DJ7tVkhNoH7MCjy8hlfp55ZdL68oVV5DNDEpZ1zQzZJltxui0tqGuvYDYqkpk7azlOch4R4cLofGeExzLdBaF4u8_z2-ucrr9HtFkemyfq99wnh_6QxoD27q4OxUVUOp0_K9xzJ0O-aLXsHiA=w300-h400" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi8lnhu7vADncYNkIKkZ4KNDXo8bispXVW9KoxCm7PAMeHUFCNQcRGhI1EGTfRbOczF1-KxzQzs3M7FAnkWiP70Z0her5w2CLTUZ83bSDaHvtRLZh2Xdegoats-7eDp_3DuUOV0ERcPG8XHFJeZRds8icAUNiy9KIYOVIbt9oMatlKq1A2FoMupOFC75fQ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3780" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEi8lnhu7vADncYNkIKkZ4KNDXo8bispXVW9KoxCm7PAMeHUFCNQcRGhI1EGTfRbOczF1-KxzQzs3M7FAnkWiP70Z0her5w2CLTUZ83bSDaHvtRLZh2Xdegoats-7eDp_3DuUOV0ERcPG8XHFJeZRds8icAUNiy9KIYOVIbt9oMatlKq1A2FoMupOFC75fQ=w320-h400" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi7gmN8qZzfXypSDUcVVmSgB2RlOi1QQ2vgttfKPzw-r9ts0vhPQUqYTFv2TUL5b0oYkA95pUmSMfmkNmgS-QbG6r0AcUtKw-sEUuyTel8cHV7pUt0ySpCCh8sYfxrZGG4wtLHj1fkbyxOxer9LWbsSXc6i0PynRjh7fif_yij9k6PfqT7ubnmjVW0Ye10" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEi7gmN8qZzfXypSDUcVVmSgB2RlOi1QQ2vgttfKPzw-r9ts0vhPQUqYTFv2TUL5b0oYkA95pUmSMfmkNmgS-QbG6r0AcUtKw-sEUuyTel8cHV7pUt0ySpCCh8sYfxrZGG4wtLHj1fkbyxOxer9LWbsSXc6i0PynRjh7fif_yij9k6PfqT7ubnmjVW0Ye10=w300-h400" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZBM4K0dQIl_jlSTpD4KNZiwaGhcY-xXoR8gCmIGjT4zAe1JdR9KtmdWkJQgrdIDRcy5f855cc6vlH4nBRGEtK7NiYw7IZjLjKEHPqTBwfludPvjXDvFteRv5KoVEtCTgyNFDHYoePah4wbIolHOJRrvZw2rK3reG05LXiy0_5960E9KV5Jupv919ZEcs/s2965/dokumentacja-8.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="2965" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZBM4K0dQIl_jlSTpD4KNZiwaGhcY-xXoR8gCmIGjT4zAe1JdR9KtmdWkJQgrdIDRcy5f855cc6vlH4nBRGEtK7NiYw7IZjLjKEHPqTBwfludPvjXDvFteRv5KoVEtCTgyNFDHYoePah4wbIolHOJRrvZw2rK3reG05LXiy0_5960E9KV5Jupv919ZEcs/w640-h432/dokumentacja-8.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;"> fot. A. Zagrodzka</span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFdlTzpt5o8zu4NJqk9XFyWNxdMK4gb8nx0dqyYEP94xplSPoZNUqFoy7kA_IMpeRycAM0FxE0RO3ppCyuv9sIZdsObrTRnLegEDxI9WpJnPMnwLaWFaQx5KBgFT0aQhtWYHqpilCk53-nAs6VuHUC-6Pr46CLoAfIbDPnczacXYcm1sKEkjL5--Lb2Pg/s4032/7A94EB25-C110-4DED-80DA-3F55B640B351.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFdlTzpt5o8zu4NJqk9XFyWNxdMK4gb8nx0dqyYEP94xplSPoZNUqFoy7kA_IMpeRycAM0FxE0RO3ppCyuv9sIZdsObrTRnLegEDxI9WpJnPMnwLaWFaQx5KBgFT0aQhtWYHqpilCk53-nAs6VuHUC-6Pr46CLoAfIbDPnczacXYcm1sKEkjL5--Lb2Pg/w300-h400/7A94EB25-C110-4DED-80DA-3F55B640B351.jpeg" width="300" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><p></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Obszary wątpliwości to linie wyginające się pod wpływem różnych napięć. Piętrzą się, układają, moszczą, próbując się dopasować. Tworzą chwiejne układy mobilnych kształtów, które<span class="Apple-converted-space"> </span>ze względu na łatwość w przemieszczaniu, stają się tymczasowe. Ruch je napędza, ruch je zmienia, ciało je performuje i przekształca. Praca ma charakter medytacyjny. Powtarzalność tworzy pętle, wspomnienia zapisują się w układach przestrzennych.<span class="Apple-converted-space"> </span></span></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Myślę o pracowni Niny Węgrzynowskiej. Myślę o niej od chwili, kiedy po raz pierwszy zetknęłam się z jej archiwum w 2013 roku. Obsesja ruchu, o której ciągle mówiła zamieniła się w bezruch. Proces twórczy ustał.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">„Dużo tego”- pomyślałam wtedy i zabolała mnie ta myśl, odbiła się ode mnie i własnej pracy. Moje w archiwum jest w procesie tworzenia, dziania się. Nieuporządkowane i w podróżach.<span class="Apple-converted-space"> </span></span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Od tamtej pory szukam punktów odniesienia, prowadzę niewidzialny dialog ze zmarłą artystką. Czytam jej słowa zapisane w pamiętnikach. Śledzę pracowniane rytuały i magiczne praktyki zaklinania rzeczywistości. Odpromienniki, wróżka, zmywanie podłogi przed pracą. Szukam dopasowań w zakrzywiających się w napięciu liniach. Linie zamieniają się w horyzonty, tajne, trudne do rozszyfrowania pismo.</span></span></p><p class="p2" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; min-height: 13px; text-align: start;"><span style="font-family: Barlow;"><span class="s1" style="font-kerning: none;"></span><br /></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><b><span style="font-family: Barlow;">Fragmenty dzienników Węgrzynowskiej:</span></b></span></p><p class="p2" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; min-height: 13px; text-align: start;"><span style="font-family: Barlow;"><span class="s1" style="font-kerning: none;"><b></b></span><br /></span></p><p class="p3" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 6px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">9.VIII.1974.</span></span></p><p class="p3" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 6px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Włóczyłam się trochę, wystawa w Pałacyku na Chmielnej zamknięta, w Desie oglądałam obrazy, które sprzedają artyści, bo bardzo bym chciała jakieś pieniądze zarabiać twórczością. Kupiłam jedzenie na niedzielę, głowa mnie rozbolała bo pogoda dziś okropna i pewnie z głodu. Wreszcie przyjechałam do pracowni: zjadłam, zażyłam proszek na głowę i posprzątałam pracownię. I tak się zrobiła 7 wieczór, pora wracać, skończyć pranie w domu i posprzątać kuchnię bo przed południem nie zdążyłam.</span></span></p><p class="p3" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 6px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">6.I.1975</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Prawie pół roku minęło od ostatniego pisania. Najważniejsze co się wydarzyło to to, że zaczęłam malować. Konarska po powrocie z urlopu nie dała mi plansz, powiedziała, że na razie nie ma, że zadzwoni , nie zadzwoniła potem na wrzesień wyjechawszy do Kołobrzegu po powrocie zaczęłam malować na konkurs „artysta i przestrzeń” do Poznania, jeździłam do Inowrocławia gdzie przeprowadziłam ekshumację i przeniesienie zwłok ojca do Warszawy tak jak chciała mama.<span class="Apple-converted-space"> </span></span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">25.V.75.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Słowik wymówił mi pracę w Argumentach. 3.V wezwał mnie na rozmowę i powiedział, że to kres moich możliwości twórczych. Mnie na te słowa szlag trafi, wygarnęłam mu jak mnie traktował i jakie ma prawo tak do mnie mówić.</span></span></p><p class="p2" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; min-height: 13px; text-align: start;"><span style="font-family: Barlow;"><span class="s1" style="font-kerning: none;"></span><br /></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">1.XI.75.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Byłam na cmentarzu. Strasznie zmarzłam. Potem przyjechałam do pracowni, zjadłam, trochę pomalowałam i za chwilę znowu wracam do domu.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">25.XI.75.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Jestem potwornie zmęczona. Dyżur był zupełnie obłędny. Zarobiłam wprawdzie 9.tys ale do dziś nie mogę się pozbierać.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">29.I.76.</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Po ostatnim dyżurze długo tym razem dochodziłam do siebie, nie mogłam w ogóle zabrać się do malowania. Dopiero ten tydzień maluję. A za parę dni znów do pracy. (…)</span></span></p><p class="p1" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Od pół roku, kiedy to pracuję w Telewizji dopiero w tym tygodniu zaczęłam projektować nowe obrazy. Do tej pory kończyłam stare albo robiłam wg dawniej zaprojektowanych szkiców.<span class="Apple-converted-space"> </span></span></span></p><p class="p4" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">4.01.1981.</span></span></p><p class="p4" style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;"><span style="font-family: Barlow;">Przeglądałam tamto słabe pisanie i myślę sobie ile czasu minęło jestem o 5 lat starsza, a moje życie to taka krzątanina wokół codziennych spraw, tak jak wtedy dziś znów jestem po robocie do Kobry „Anatomia morderstwa”, tak zmęczona, że od paru godzin nie jestem w stanie zabrać się do malowania. Powinnam już przywyknąć<span class="Apple-converted-space"> </span>do tego, że trzeba odpocząć i dopiero wtedy ale to niecierpliwość, że czas ucieka, że ciągle nie znalazłam tego, co chciałabym zrobić w moim malowaniu, że wreszcie koniec i można by było pomalować a nie można. I końcu próżny mój upór, żeby wczoraj skończyć aby dziś mieć dzień dla siebie.</span></span></p><p class="p2" style="font-family: Carlito; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 11px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; min-height: 13px; text-align: start;"><span class="s1" style="font-kerning: none;"></span><br /></p><p class="p2" style="font-family: Carlito; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 11px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; min-height: 13px; text-align: start;"><span class="s1" style="font-kerning: none;"></span><br /></p><p class="p2" style="font-family: Carlito; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 11px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variation-settings: normal; line-height: normal; margin: 0px; min-height: 13px; text-align: start;"><span class="s1" style="font-kerning: none;"></span><br /></p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /></div><p><br /></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-86697488362705591042023-01-06T02:40:00.005-08:002023-09-30T07:56:43.604-07:00The Nature of Measurement (duo with Laura Pold)/Austriackie Forum Kultury/Warsaw/11.07.2022-20.01.2023<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwfeZAJs5kXQOOy7s1p-cxwINmnVv40wg8gKQ9bx0HDwfnEvibaEVePMYOsLkZ8sh6Wc4iOc5ew_b9GU-5J9crm57gJJj42naWXLCQirLJB66XWZojvAWAtCAJucYbH7u06ISX0t7cGYx6JiKwLOz1rh3NW4N0SikGv51-_ybiXxELT5qZ782jQ6st/s2048/20221121_natureofmeasurement_0099.jpg" style="margin-left: 1em; 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text-align: center;"><br /></div></div><span face="system-ui, -apple-system, "system-ui", ".SFNSText-Regular", sans-serif" style="background-color: white; color: #050505; font-size: 15px; text-align: start; white-space: pre-wrap;"> fot.Frederik Gruyaert</span></div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-36372136854964261732022-09-26T10:08:00.009-07:002023-09-30T08:04:00.256-07:00ZWICHNIĘTY CZAS/TIME OUT OF JOINT/MUZEUM SZTUKI W ŁODZI/2022<p><span style="font-family: Barlow;"><a href="https://msl.org.pl/zwichniety-czas/">więcej/more:</a> <a href="https://blogger.googleusercontent.com/img/a/AVvXsEiE4KX3Mg8ygMaQwv3-nUIxuahw4o9Dhq4BYe5Bsgw9fde6LbmNtVRcaVVu1TG065vrSs9PD-AMUEOUpEzxeAbEZdJ_GESF7qTQthK6ndkq8g6JEIooBRH4WIhntPSAGNXiMVXVNJqqDQCrFlCI7iaqPlbAgmDocoZdNG8dUHoIDEEKPL1yLv-zjWB_" style="margin-left: 1em; margin-right: 1em; text-align: center;"></a></span></p><p><span style="font-family: Barlow;"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Barlow;"><br /></span></div><span style="font-family: Barlow;"><br /><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgKIgfOgWIT4PRel_FFgP6bMECbzKcBnhRJ5guZr1sSBpIF1h0wAEK5Imxla6ksAcDklAJWbQCoL10Furb6_UZJ7zhMAIV6Ykj0g1jabDfRHbK3xcfMP0FwOQ0w1uIIB0GVLI-eHNPVkEHxVT9c6LY8NEpaSDMG2SkTbAxY3LCFU2jc38vkf4ptuBi_" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="1600" data-original-width="2400" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEgKIgfOgWIT4PRel_FFgP6bMECbzKcBnhRJ5guZr1sSBpIF1h0wAEK5Imxla6ksAcDklAJWbQCoL10Furb6_UZJ7zhMAIV6Ykj0g1jabDfRHbK3xcfMP0FwOQ0w1uIIB0GVLI-eHNPVkEHxVT9c6LY8NEpaSDMG2SkTbAxY3LCFU2jc38vkf4ptuBi_=w640-h426" width="640" /></a></span></div><div class="separator" style="clear: both; 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margin-right: 1em;"><img data-original-height="4032" data-original-width="3024" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjKqmxV4fCr6IQrYH862xQ20m912FdUi3j5kLXkiON1MBz_W6DeiBgUcrdmo0l8LbLPQi_D9BvsNjIQRaxPGtAOTYZTgrjzmFiIl1_WNxG1kF4hU3yzbfCwNHrPI9yYhxTlr31VT5x6OUbzbPuooZf0LIlHgkE_iYCPDl6RxO9KgGGaRemokZsCYLib=w480-h640" width="480" /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /></a></span></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgqwsWwV-8uyZHsJ3zAf10te-ApoF4_gzNjCgXv06EVdN_Noz0r_iCEmJraJhLp7t_4kes64_zXIIrt5DDXBwwzb3c9TmF8LUAaul7DiiRwWw-cmfsWcbQkq2MY4_wvKXPpqacb4Pq5NYlBWtVv-1KHz9L-KiG6YhBpU8KusJ__Joiux2SimhINwjYh" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Barlow;"> fot.Ha Wa, M.Ngom, A. Zagrodzka</span></a></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: Barlow; text-align: left;"><br /></span></div><div class="separator" style="clear: both; margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-family: Barlow; text-align: left;"><i>Schrony dla niewypowiedzianych słów / Shelters for Unspoken Words, 2022 </i></span></div></div></div></div><div><span style="font-family: Barlow;"><br /></span></div><div><span style="font-family: Barlow;"> Sąsiadka z dołu zmarła rok temu. Dziś słychać stuki z jej mieszkania, ktoś dobrał się do meblościanki, wynosi płyta po płycie, udając, że to nie było w jednym kawałku. Wspomnienie obudowane okleiną poziomą, trochę jakby zasłony marszczyły się na płasko. Rysunek słojów/zasłon zakręca czasem w wiry z połyskiem. Udało mi się wziąć kilka takich płyt – zdekompletowanych wspomnień sąsiadki.
Jej wspomnienia, urywane przez Alzheimera, łączyły się w nieoczekiwane kolaże. Czekała na mnie kiedyś. Może na mnie, a może po prostu na kogoś. Stała w upalny, letni wieczór, trzymając się poręczy, z rozpuszczonymi długimi, szarymi włosami odmierzającymi jej czas. Ubrana w welurową, czerwoną podomkę patrzyła. Chciała, żebym jej pomogła przebrnąć przez informacje w dokumentach, które ściskała w dłoni. Ja czułam to zbyt duże zaufanie z jej strony, przecież się nie znamy, przecież przed momentem zapytała, czy tu mieszkam. Mieszkam. Zaledwie od kilku miesięcy.
Poza tym pandemia, nie chciałam jej narażać, nie chciałam się spóźnić na koncert. Kolejna okazja spotkania już się nie nadarzyła. Nie rozmawiałyśmy więcej, pomimo jej zapewnień, że mogę pukać o każdej porze dnia i nocy.
Nie miałam odwagi nacisnąć dzwonka, mimo że byłam ciekawa kolejnego spotkania. Mieszkanie stało puste przez rok. Bez sąsiadki. Wypełnione jej rzeczami i wspomnieniami wynoszonymi teraz kawałek po kawałku. Dźwięk niosący się po klatce schodowej wystukuje rytmicznie nigdy nieodbytą rozmowę. </span></div><div><span style="font-family: Barlow;"><br /></span></div><div><span style="font-family: Barlow;"> My downstairs neighbor died a year ago. Today, there are noises coming from her flat, someone is removing the wall unit, taking it away panel by panel as though it had never been a single piece of furniture. A memory clad in horizontal veneer, rather like flat folds on a curtain. The growth rings take an occasional glossy whirl. I have managed to get several of those panels – bits and pieces of my neighbour’s memories.
Torn to pieces by Alzheimer, her recollections merged to form surprising collages. She waited for me once. For me or, perhaps, for anyone. One summer evening, she was standing there, leaning against the handrail, with her long grey hair – the measure of her time – down. With a red velour housecoat on, she just stood there and looked. She needed me to help her with some documents she was clutching in her hand. I felt her trust in me was kind of blind, we did not know each other; after all, she started by asking if I lived there. I did. For a couple of months.
I thought it would not be right to put her at risk during the pandemic, I did not want to come late to a gig. We never met again. We never spoke again, even though she had made it clear I could call on her whenever I wanted.
I did not pluck up enough courage to ring her doorbell, curious as I was about meeting her again. The flat remained empty for one year. Without my neighbor. Full of her belongings and memories which are now being taken away, piece by piece. The noise resounding through the staircase taps out the rhythm of the conversation we never had.
</span></div>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-40300488039794218002022-09-21T01:49:00.006-07:002023-09-30T08:01:28.245-07:00ARTYKUŁY DO PORZĄDKOWANIA PRZESTRZENI (WYSTAWA "ART. DEKORACYJNE)/GALERIA BIAŁA/LUBLIN/2022<p> </p><p class="p2" style="font-family: "Helvetica Neue"; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; min-height: 13px;"><span class="s1" style="font-kerning: none;"><i></i></span><br /></p><p class="p2" style="font-family: "Helvetica Neue"; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; min-height: 13px;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgp5AoKLLVxS4RpEyuUfrGffy5HBCTQ2TAaQ4DBwWQWl45NUYCuChd4gbmUecZY3niIeADKTRDV7ExHItKnm-kX4MDL6yLeUrSzd4M650tQmjF41X2oQyEueEgW_57KQH40rUJzJZ9GEIec6elmUmz4sTuUaeiimgufRdoMlUC9iEib94qpo9X77K7x" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="4032" data-original-width="3024" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgp5AoKLLVxS4RpEyuUfrGffy5HBCTQ2TAaQ4DBwWQWl45NUYCuChd4gbmUecZY3niIeADKTRDV7ExHItKnm-kX4MDL6yLeUrSzd4M650tQmjF41X2oQyEueEgW_57KQH40rUJzJZ9GEIec6elmUmz4sTuUaeiimgufRdoMlUC9iEib94qpo9X77K7x=w480-h640" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidc6Fbp5t59ApapzgsP3pNoC9Q2SKTu6Q__4O6AfOHErsOoLC2iPQL_u6LiroZIGZQGYuP_5qAeRPBZhYPlbvUFjJsJ6Slk9psHk5aYhNRNRByMMVJ9EDdE_A872aljAQU2efIaERt1ShWrqfgbn4jsgyfsjiVSCxbDov1T3dPwaoJhiwK3boA-_upPgo/s2834/promo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2834" data-original-width="2126" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidc6Fbp5t59ApapzgsP3pNoC9Q2SKTu6Q__4O6AfOHErsOoLC2iPQL_u6LiroZIGZQGYuP_5qAeRPBZhYPlbvUFjJsJ6Slk9psHk5aYhNRNRByMMVJ9EDdE_A872aljAQU2efIaERt1ShWrqfgbn4jsgyfsjiVSCxbDov1T3dPwaoJhiwK3boA-_upPgo/s320/promo.jpg" width="240" /></a></div><br /></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgp5AoKLLVxS4RpEyuUfrGffy5HBCTQ2TAaQ4DBwWQWl45NUYCuChd4gbmUecZY3niIeADKTRDV7ExHItKnm-kX4MDL6yLeUrSzd4M650tQmjF41X2oQyEueEgW_57KQH40rUJzJZ9GEIec6elmUmz4sTuUaeiimgufRdoMlUC9iEib94qpo9X77K7x" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiHSqtQlwkbed8MzWjjUT_UKsMZuUGVr4XAj4gbK2oSYCOjKlDluI9TcO-B6m1rfrgGoaP5g-AI8mSMLMfWME195ZKb_rOYgZPr3nxEC0tKJ--r94nMGk9ZQfib7GvCJYh6gxvbUpSdUJSNygoOLtJRYFlwC1PXEUBDKx4yMzlKzqtIi7vxCTqWip-h" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/a/AVvXsEiHSqtQlwkbed8MzWjjUT_UKsMZuUGVr4XAj4gbK2oSYCOjKlDluI9TcO-B6m1rfrgGoaP5g-AI8mSMLMfWME195ZKb_rOYgZPr3nxEC0tKJ--r94nMGk9ZQfib7GvCJYh6gxvbUpSdUJSNygoOLtJRYFlwC1PXEUBDKx4yMzlKzqtIi7vxCTqWip-h=w400-h300" width="400" /></a></div><br /></div><br /><br /><p></p><p class="p1" style="font-family: "Helvetica Neue"; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><i>Kiedy latem 2021 przechodziłam przez targowisko przy ul. Wileńskiej w Lublinie, popołudniowo- wieczorne słońce przemykało się bokiem oświetlając opustoszała architekturę sprzedaży. Nagie stoiska wygrzewały się w ciepłym, sierpniowym słońcu. Pejzaż dźwiękowy wypełniał rytmiczny dźwięk zamiatania. Dwie kobiety, starsza i młodsza, wykonywały swoją pracę w duecie, niemal synchronicznie. Narzędzia, którymi się posługiwały, miały fryzury z liściastych, młodych gałęzi brzozy. Widok ten był niezwykły, trochę jak drzewa do góry nogami albo tajemnicze przedmioty rytualne do odpędzania złych mocy. Z każdym ruchem, z każdym strzepniętym kurzem lub niesprzedanym liściem sałaty, znikały nieudane transakcje i wystane w bezruchu godziny. Wyłaniała się za to pusta przestrzeń, gotowa na kolejny dzień handlu.</i></span></p><p class="p1" style="font-family: "Helvetica Neue"; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><i>Widok kobiet i przedmiotów do zamiatania był niezwykły i na długo pozostał w mojej pamięci. Rysowałam różne wersje tych przedmiotów, wyłapywałam z rzeczywistości podobne obrazy. Ludzie oraz wprawiane przez nich w ruch ciche narzędzia stały się moją obsesją. Dzięki temu, część obrazów była dość zaskakująca i mało praktyczna a jednak pojawiała się przed moimi oczami w czasie rzeczywistym. Takim obrazem byli<span class="Apple-converted-space"> </span>osiedlowi pracownicy zieleni paradujący w środku białej<span class="Apple-converted-space"> </span>zimy z grabiami przerzuconymi przez ramię. Długo się zastanawiałam, jakiej transformacji uległ ten przedmiot do grabienia liści. Zgromadziłam niewielkie archiwum takich wspomnień i wyłonił się z nich ceramiczno-fotograficzny pejzaż. Duet narzędzi z opustoszałą przestrzenią. Przestrzeń i narzędzia bez człowieka.<span class="Apple-converted-space"> </span></i></span></p><p class="p1" style="font-family: "Helvetica Neue"; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><i><span class="Apple-converted-space"> </span>Magdalena Franczak</i></span></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-88859489286566769002022-06-07T01:37:00.008-07:002023-09-30T08:19:28.165-07:00SPRZEDAWCA CHRUSTU/MIASTO MARZEŃ/BWA KROSNO/KROSNO/2022<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg86BDsd1XU15hb1iLgx-j4XmTYLu_JfYu6h9-p9RXHwxayCLpHsCnYKST2qZeXq33ilS-Lp9iJgFITBjIFd3ZUTeV1Kqkl5Ek97hoUuNPf412gPEhCfUJiLddpRQ2mB_Oa4Tjg0_JFBJ9pvwWdFcbDjZlUrzGYZJgAT2-xO4cB4Fxmu4AF__OkEwRv" style="margin-left: 1em; 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margin-right: 1em;"><img alt="" data-original-height="5532" data-original-width="3688" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiGQQJKIgH87SefBxOM06DlDPO8xzQ2jilnoJWpalgGSeSicSwG_LFK9hoXSpE5dHlv6m5--Ozrgt-ojNAtwFw6_9YwQeu8UhXZh3kcGA-hLhNhoJlrFj4Dgr-EQfbaWhhAU41k0E5kEc788Eo3Ku4_HJ499m79Glgt6EYnNjoCrCWNx0g2D9vPsL35=w427-h640" width="427" /></a></div><br /><br /></div><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-52812191652202197992022-06-06T23:34:00.008-07:002022-06-06T23:34:54.634-07:00POWIĘKSZENIE 3/GALERIA LABIRYNT/LUBLIN 2021<p> </p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj9khJ4exaiDIoGgtmx1Huv721n3ZEixTHOmS6qgzsr-n0el05Hcv-Cn-XxW1MjBHz4V-q-DvkbSGhlab5kJnheakrmUi1cGtyoWik8dfDu0a7caz7rEfYiwnIO8m0z9WOfUMagwU6oLRDWi4b7HAweWxZwVV1hfa7yAaO5vsu5vzz6CSL1zg6vaQz3" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3651" data-original-width="5477" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEj9khJ4exaiDIoGgtmx1Huv721n3ZEixTHOmS6qgzsr-n0el05Hcv-Cn-XxW1MjBHz4V-q-DvkbSGhlab5kJnheakrmUi1cGtyoWik8dfDu0a7caz7rEfYiwnIO8m0z9WOfUMagwU6oLRDWi4b7HAweWxZwVV1hfa7yAaO5vsu5vzz6CSL1zg6vaQz3" width="320" /></a></div><br /><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgWlylsAjpdmNU9CH9HFaf47AkybFMMLrBh0zpl-Tn3tR2chkMox3YyVCY-x9Jz3Uj5QZxp_QobGcLYECohvlUMfhHuh43JQ10yrLu5zQqpvaJXMTuMI9Z0kPyQVea4KKzSY4tOYUeqVdjMtiFV0jR4zBKIAjdB6pvULgMd43QJtkSBbgMDvkuWHtYu" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgWlylsAjpdmNU9CH9HFaf47AkybFMMLrBh0zpl-Tn3tR2chkMox3YyVCY-x9Jz3Uj5QZxp_QobGcLYECohvlUMfhHuh43JQ10yrLu5zQqpvaJXMTuMI9Z0kPyQVea4KKzSY4tOYUeqVdjMtiFV0jR4zBKIAjdB6pvULgMd43QJtkSBbgMDvkuWHtYu" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi0Nt-fotF1MzfLyeJbF8swtNNO1F5fmESsw-XArZQOqFHUCqXhc4_pyMEV7AImCvrKUyBG1T98GS5_a-laiMCWnhjTBLG_12N0P2A70dtnt7KOyyKGPN7fR8_VKWdXwLIzUBYHc_GAEBKpoe9-gAonaobn64zsupfGm0cXCQKQFbghs4a0Lh90jHm1" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3651" data-original-width="5477" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEi0Nt-fotF1MzfLyeJbF8swtNNO1F5fmESsw-XArZQOqFHUCqXhc4_pyMEV7AImCvrKUyBG1T98GS5_a-laiMCWnhjTBLG_12N0P2A70dtnt7KOyyKGPN7fR8_VKWdXwLIzUBYHc_GAEBKpoe9-gAonaobn64zsupfGm0cXCQKQFbghs4a0Lh90jHm1" width="320" /></a></div><br /><img alt="" data-original-height="1280" data-original-width="1920" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEgWlylsAjpdmNU9CH9HFaf47AkybFMMLrBh0zpl-Tn3tR2chkMox3YyVCY-x9Jz3Uj5QZxp_QobGcLYECohvlUMfhHuh43JQ10yrLu5zQqpvaJXMTuMI9Z0kPyQVea4KKzSY4tOYUeqVdjMtiFV0jR4zBKIAjdB6pvULgMd43QJtkSBbgMDvkuWHtYu" width="320" /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi21NuLPfkWXgAK-Iq8nR2ZSk6cpm6QgswWsoso2Wevp46TFgg-rDhWfiaxI3EfzX2dwpkDXtLPPI1p-hKPKL6KqkFo_ykcNdoZ6cKd8pr_xY0bUhX3sqSEkJXQwCLJD7K5emdxn_D7tPNOQlNI6XItW_tEmFEj4FgoACXIDiy7kqBMa0q0nPya8QGA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3651" data-original-width="5477" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEi21NuLPfkWXgAK-Iq8nR2ZSk6cpm6QgswWsoso2Wevp46TFgg-rDhWfiaxI3EfzX2dwpkDXtLPPI1p-hKPKL6KqkFo_ykcNdoZ6cKd8pr_xY0bUhX3sqSEkJXQwCLJD7K5emdxn_D7tPNOQlNI6XItW_tEmFEj4FgoACXIDiy7kqBMa0q0nPya8QGA" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiz1yzKdTya8BTFRlZ0PR10RT_LTRB2NFuF6LfN6nlE11Zj1d3dTj8UuSoJ-yyVDLpjKZwbmEZAzvkba3UqPa6ac0EsHv-LXQ2PnFFw0HmDHje3XjIsxhOHEXU1IeoO_bLXfJUQxxPS4uFBUUqVWxWTsmX1rmwU0NEIt6VzU1JKplTthoFQngvFtTvJ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3651" data-original-width="5477" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEiz1yzKdTya8BTFRlZ0PR10RT_LTRB2NFuF6LfN6nlE11Zj1d3dTj8UuSoJ-yyVDLpjKZwbmEZAzvkba3UqPa6ac0EsHv-LXQ2PnFFw0HmDHje3XjIsxhOHEXU1IeoO_bLXfJUQxxPS4uFBUUqVWxWTsmX1rmwU0NEIt6VzU1JKplTthoFQngvFtTvJ" width="320" /></a></div><br /></div><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-32294873204413692692022-06-06T23:28:00.000-07:002022-06-06T23:28:00.108-07:00Silent house/cichy dom/projekt rzeźby społecznej/ ACK "Chatka Żaka"/Lublin/Poland/ 2021<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjhLyP5na57Jn970pb3ALwJJLZiNqa98PWTGjSRD4cUcx6VWMttke4ABUHAN3kfuy7RoewfqBePPPDCJP1yyRRlZ5DWM3hKbyTpHkYtOeg8F751h1JuPx_BI7TwZzZvW0RrXRIOJMxzJolvxwi22Z3X98v8tIBMP8w4mZ0eujSY8ARBcTSQc4Xt4h3m" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1536" data-original-width="2048" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjhLyP5na57Jn970pb3ALwJJLZiNqa98PWTGjSRD4cUcx6VWMttke4ABUHAN3kfuy7RoewfqBePPPDCJP1yyRRlZ5DWM3hKbyTpHkYtOeg8F751h1JuPx_BI7TwZzZvW0RrXRIOJMxzJolvxwi22Z3X98v8tIBMP8w4mZ0eujSY8ARBcTSQc4Xt4h3m" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">„Cichy dom” to rzeźba, która wytwarza wspomnienia.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Składa się z ludzkich<span class="Apple-converted-space"> </span>oddechów- ciepłych i miarowych, wypełniających wnętrze, którego nie ma.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Jej wymiar materialny tworzą ludzie.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Wystarczy zebrać odpowiednią grupę i znaleźć na mapie miasta miejsce, gdzie stał dom, ale go już tam nie ma. </span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Może są jego pozostałości, znaki.<span class="Apple-converted-space"> </span></span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Kawałek fundamentu, przy którym możemy postawić stopę.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Drzewo owocowe będące dawniej schronieniem przed upałem.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Fragment talerza wdeptanego w ścieżkę.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Ustawiamy się wypełniając przestrzeń sobą, oddychając i ocieplając nieistniejące ściany.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Jaką temperaturę wytworzymy?</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Czy będzie to temperatura cichego domu?</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Naszego domu?</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">A może będzie to tymczasowe schronienie, za każdym razem inne?</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Ci, którzy próbują stworzyć namiastkę domu przy granicy polsko-białoruskiej siedzą blisko siebie.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">W grupach.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Próbują wypełnić ściany nieistniejącego domu.</span></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Po cichu.</span></p><p class="p2" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; min-height: 17px; text-align: start;"><span class="s1" style="font-kerning: none;"></span><br /></p><p class="p1" style="font-family: Inter; font-size: 11px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; text-align: start;"><span class="s1" style="font-kerning: none;">Spróbuj być częścią tej rzeźby. Znajdź grupę znajomych lub nieznajomych. Stańcie blisko siebie. Stwórzcie linię Cichego Domu. Oddychajcie. Wasze ciała staną są jego murami. Oddechy to wnętrze. Zróbcie zdjęcie i wyślijcie je na adres <a href="mailto:nomadyczna@gmail.com"><span class="s2" style="color: #00006d; font-kerning: none;">nomadyczna@gmail.com</span></a>. Umieszczę je na stronie Cichego Domu. Będziesz jego częścią. Wspólnie stworzymy mapę.<span class="Apple-converted-space"> </span></span></p></div><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-22200297251681839862022-02-02T02:45:00.005-08:002022-02-02T02:51:54.668-08:00Ruiny niechcianych wspomnień/public area/Lublin 2021<p> <span style="font-family: "Times New Roman"; font-size: 12px;">Przestrzeń opuszczonego banku nosi w sobie wspomnienia ludzi, którzy tam pracowali.</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">Poruszali się w różnych kierunkach, w codziennej choreografii pomagały im meble i przedmioty.</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">Szafki, biurka, obrotowe krzesła. Pochylali się, wyciągając z szuflad segregatory.</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">Pożyczki, oszczędności, marzenia, podróże.</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">W opuszczonych domach przykrywa się rzeczy białymi tkaninami, żeby się nie kurzyły.</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">Funkcjonalne meble przybierają kształty duchów. Pękatych, zgarbionych, w półkroku.</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">A jeśli przedmioty się dematerializują, to czym jest pozostający po nich kształt?</span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><br /></span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"></span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh584gONMZhjXyLFyjG4sRQkKCvi_0Fx2OokSDRcC6c7Hae0xc1DJRbn2CaMxyfo4wciMkMiv0XoKdAUMPMYNpRuC5ZQ0fxfdbzxAfKEyMFDnQWRyCSFxkgdYohN2lx6u2j1SEmayWanQP6yYYj0LakVldnxJLkThz_h_JMal38lHORowTGKcUj9LD9=s2126" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="2126" height="266" src="https://blogger.googleusercontent.com/img/a/AVvXsEh584gONMZhjXyLFyjG4sRQkKCvi_0Fx2OokSDRcC6c7Hae0xc1DJRbn2CaMxyfo4wciMkMiv0XoKdAUMPMYNpRuC5ZQ0fxfdbzxAfKEyMFDnQWRyCSFxkgdYohN2lx6u2j1SEmayWanQP6yYYj0LakVldnxJLkThz_h_JMal38lHORowTGKcUj9LD9=w400-h266" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhzMXPj8CIFZyauANrj8555rFnydo0Yhm40fbrY-MMoah1nDmA4brj2FrUsjNNo7CIZNbyM6ZB9F1-Tece3XTRVw2IPsTg7hmP5ZHxn4UJVtHjsNteleyZQYOxdcb51Rpn7JbpiVAzVpKV5KgZYTfSOSPLA1wn2jF9bGCFIx5I8CSG6doUTqryWfSqb=s4032" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhzMXPj8CIFZyauANrj8555rFnydo0Yhm40fbrY-MMoah1nDmA4brj2FrUsjNNo7CIZNbyM6ZB9F1-Tece3XTRVw2IPsTg7hmP5ZHxn4UJVtHjsNteleyZQYOxdcb51Rpn7JbpiVAzVpKV5KgZYTfSOSPLA1wn2jF9bGCFIx5I8CSG6doUTqryWfSqb=s320" width="240" /></a></div><br />fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-52343514324543688852021-11-30T02:48:00.004-08:002021-11-30T02:48:41.985-08:00Forma/Centrum światów jest tutaj/Przemyśl 2021<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf2ZPIaA9YXzRpm5yl83MvKcoqNVG7hNMoSSBbI57O0SZLgUAtb4Rmswt-XemBGXzQw9QlPYu3EbtSjZulVzitgd8noetdenG71yf1dPD4OSlH-P-kCcJgIZVZdTHJ5YgNQj-FSglD-fI/s2048/0DSCN2673.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1152" data-original-width="2048" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf2ZPIaA9YXzRpm5yl83MvKcoqNVG7hNMoSSBbI57O0SZLgUAtb4Rmswt-XemBGXzQw9QlPYu3EbtSjZulVzitgd8noetdenG71yf1dPD4OSlH-P-kCcJgIZVZdTHJ5YgNQj-FSglD-fI/s320/0DSCN2673.JPG" width="320" /></a></div><p></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;"><i>„Forma” </i>to rzeźba, która powstała w 2020 i jest dedykowana Helene Deutsch.<span class="Apple-converted-space"> </span></span></p><p class="p1" style="font-family: "Times New Roman"; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px;"><span class="s1" style="font-kerning: none;">Odwołuje się do pamięci ukrytej w dotyku. Obrus, zasłona, firanka, okno. Mają swoją strukturę, chropowatość i gładkość, przywołują wspomnienia. Wspomnienia tego, co za oknem i tego, co na stole. Ci, którzy muszą opuścić swoje domy, przechowują te doznania w pamięci. Odtwarzają za każdym razem, kiedy tęsknią za miejscem, w którym już nie mogą być. Odciśnięta w gipsie forma pamięci zostanie zakopana aby wejść w dialog z otaczającą ją przyrodą. Robię to z nadzieję, że przyroda ją zawłaszczy i wypełni szczeliny niezapomnianego.</span></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-4667660386316612502021-11-29T11:07:00.003-08:002024-02-06T05:59:38.160-08:00Kaduk/Galeria im. Sleńdzińskich/Synagoga Cytronów/Białystok/2021<h3 style="text-align: left;"> </h3><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh99z6JuT54AjAQqdbPh-R3Ozitd0G87fStKldoLMbpEKoxFX4T23VZCx2XlfqBWXgqeP4W5fLx-jdF-bNNx412FHfegAUX9gFOv8yMX3I1xEVbDF7A29Oe8f5Q3P_2gAt7DAZB3vCkcR8/s2048/galeria-wystawa-202109-13-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh99z6JuT54AjAQqdbPh-R3Ozitd0G87fStKldoLMbpEKoxFX4T23VZCx2XlfqBWXgqeP4W5fLx-jdF-bNNx412FHfegAUX9gFOv8yMX3I1xEVbDF7A29Oe8f5Q3P_2gAt7DAZB3vCkcR8/s320/galeria-wystawa-202109-13-3.jpg" width="320" /></a><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZLQCaILKg_yY4U_lL1bU03X3SWn_BGYZd7nzCvur_yYpFxrj8q3tFXkWZRMO3BZcwOB5ZLT0BWPPbSXMYQ_EVCoRXN622YktfbhVEA3DrgDSABqWeDmjlQAhDQM6uCNURnaYsdZUXiSw/s2048/galeria-wystawa-202109-13-10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1348" data-original-width="2048" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZLQCaILKg_yY4U_lL1bU03X3SWn_BGYZd7nzCvur_yYpFxrj8q3tFXkWZRMO3BZcwOB5ZLT0BWPPbSXMYQ_EVCoRXN622YktfbhVEA3DrgDSABqWeDmjlQAhDQM6uCNURnaYsdZUXiSw/s320/galeria-wystawa-202109-13-10.jpg" width="320" /></a><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrIYfaxzwFuDSA0f3O30g3w7bIJMsKEJJDdMNdJGZvZcNRGzIs6-gnPGP0u7pGBR2R52ZOzbaLN3_177SzzXg-b5xuV5ryrIQoL5qIjuE0LVhgobBxv6JIMvxH-Y3JDTPvE36iAqhpIFE/s2048/galeria-wystawa-202109-13-38.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrIYfaxzwFuDSA0f3O30g3w7bIJMsKEJJDdMNdJGZvZcNRGzIs6-gnPGP0u7pGBR2R52ZOzbaLN3_177SzzXg-b5xuV5ryrIQoL5qIjuE0LVhgobBxv6JIMvxH-Y3JDTPvE36iAqhpIFE/s320/galeria-wystawa-202109-13-38.jpg" width="213" /></a><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivH3DHCgrK42PLUMy_wwJLYGwUgEhr0K-ytD8t4Ho5Z2_KkaGJi-R1O4b8nPimVdtoK0AbkWOYC0Rx66SPKPM54i08IxLp_r8gHErxVz8RKGUSak7Jw99ukwALn4U8pSOt-FuwoGKiX2I/s2048/galeria-wystawa-202109-13-86.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivH3DHCgrK42PLUMy_wwJLYGwUgEhr0K-ytD8t4Ho5Z2_KkaGJi-R1O4b8nPimVdtoK0AbkWOYC0Rx66SPKPM54i08IxLp_r8gHErxVz8RKGUSak7Jw99ukwALn4U8pSOt-FuwoGKiX2I/s320/galeria-wystawa-202109-13-86.jpg" width="213" /></a><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix31yadXx3OHIyFofqYP9HjNywVEwXjSiSEKlmBCixpcW6DIcxYNXR5WXU26OSRrhVjb9spfPEW0p8fqZwwMlUfitiCFaT7jTBAF6X0mjwDWq06gp6OlRw1WeISmxHYXcJV2-QWaFjQxw/s2048/galeria-wystawa-202109-13-21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix31yadXx3OHIyFofqYP9HjNywVEwXjSiSEKlmBCixpcW6DIcxYNXR5WXU26OSRrhVjb9spfPEW0p8fqZwwMlUfitiCFaT7jTBAF6X0mjwDWq06gp6OlRw1WeISmxHYXcJV2-QWaFjQxw/s320/galeria-wystawa-202109-13-21.jpg" width="213" /></a></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcbqgkZzZ8arz-BBfkWVrR9vl4IWPXXUVOegHVIihdD8yzG0lGUyXpgSiHomk-0Pla5OibZSw2ToCL_Trxkkv7jTRD_NB8b6XorYAXJgomOHTmYNLk3KgOnI6He3VnA4pHSpN_XyxqnHs/s2048/galeria-wystawa-202109-13-92.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcbqgkZzZ8arz-BBfkWVrR9vl4IWPXXUVOegHVIihdD8yzG0lGUyXpgSiHomk-0Pla5OibZSw2ToCL_Trxkkv7jTRD_NB8b6XorYAXJgomOHTmYNLk3KgOnI6He3VnA4pHSpN_XyxqnHs/s320/galeria-wystawa-202109-13-92.jpg" width="320" /></a></div> fot. Lucjusz Sawicki</div><br /></div><br /></div><br /></div><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-215723206950958772021-11-29T09:48:00.005-08:002021-11-29T09:53:49.124-08:00Walking notes/Notatki ze spaceru/Virtual Canvas/Krupa Gallery/ 2021<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj27OwntbvfrIqPbTIyBmkvEpxmUEg0spdk9ZDbe1a7a1TDtTpKXEr8Kpj5KUR3vnIzWepxSzwx_uK4NwipZ4aZeCwgDFfZ2Iz6dbiXxMd2quD6Fp8gfgkVeY_sQzskL0jPLZUzdV7DOBo/s842/rece2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="595" data-original-width="842" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj27OwntbvfrIqPbTIyBmkvEpxmUEg0spdk9ZDbe1a7a1TDtTpKXEr8Kpj5KUR3vnIzWepxSzwx_uK4NwipZ4aZeCwgDFfZ2Iz6dbiXxMd2quD6Fp8gfgkVeY_sQzskL0jPLZUzdV7DOBo/w400-h283/rece2.jpg" width="400" /></a></div><br /><a href="https://thevirtualcanvas.site/?The-Virtual-Canvas-exhbition-Krupa-Gallery-Magda-Franczak-Ludomir-Franczak-Walking-Notes&fbclid=IwAR3uTQyEOq1KxVxj6ImD4qsayBjX8JjKTtOgl8KCIAuhyj7IWU7eLucpJxs" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1190" data-original-width="1683" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7w6GNzfnHhy0J7hWtN1TiVRr6Jbngl5Xh9ftJza76idYuyns3lVGPI0fotiiNcXSZePh8mCYoNmInZ6eCnH74PbsbsMcOloMgZQZW_7QB5M1pmZG3o73aPQRi4zbHDAAaQfy3maQ8MXY/s320/spacer.jpg" width="320" /></a></div><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Recalling the slow pace of a walk – aimless wandering, deliberate, paying attention to the surroundings. Acute senses are ready for exploration. The new is slowly coming into sight, step by step. It is hidden between tree branches, in the bends of rocks, on a well-trodden path.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">A walk to the river.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">A walk to the studio.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">A walk as a journey.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Walking frees your thoughts.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">It put us in sync with nature.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Concentration ensues – on image, sound, movement.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Walking on a well-trodden path – while being aware of following in someone’s footsteps.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Discovering chronological layers.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Making your way through bushes and thickets.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Roaming freely, getting lost.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">“Walking is a matter of reality” (Frederic Gros, “A Philosophy of Walking”)</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">***</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">Taking steps rhythmically moves us forward, the landscape changes slowly. Tree after tree, footstep after footstep. Sometimes the destination doesn’t matter. Travelling is about gaining knowledge. The slower the better. The more details you remember, the richer your collection of memories. We look at a sight and each time we notice a new detail, we close our eyes and the sound takes us to a different place. It is possible to recall pictures and sounds an infinite number of times, thinking about them both separately and together.</span><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><br style="background-color: white; font-family: Verdana, Geneva, Tahoma, sans-serif; font-size: 13px;" /><span face="Verdana, Geneva, Tahoma, sans-serif" style="background-color: white; font-size: 13px;">The project by Magda and Ludomir Franczak is the result of longing for free movement. Its structure is similar to that of a walk: the work changes over time and its constituent parts gradually emerge. Using sound and image, the artists invite the viewer to follow the successive stages of the journey and observe the changes that take place in the <a href="https://thevirtualcanvas.site/?about-Walking-Notes-exhibition-Krupa-Gallery-The-Virtual-Canvas" target="_blank">(virtual) landscape.</a></span><a href="https://thevirtualcanvas.site/?about-Walking-Notes-exhibition-Krupa-Gallery-The-Virtual-Canvas" target="_blank"><br /></a><p><br /></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-75844928736341536812021-11-29T09:29:00.002-08:002021-11-29T09:29:46.153-08:00MARGINES BŁĘDU/MARGIN OF ERROR/ARTBOOK/2020<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsDHv2cAuKAgh8beliHaXLDcHsJy_PdqyRRM90a08hjI-oL-ECQACfzECrbd81ZSn_a4xi3RtGPMHWqDzYyETPOR3v7El65P-rJhnIK8MFhJ63o6SwMfZ9CuqgLqighfEFNU_Jp9_Bts/s850/m4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="638" data-original-width="850" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsDHv2cAuKAgh8beliHaXLDcHsJy_PdqyRRM90a08hjI-oL-ECQACfzECrbd81ZSn_a4xi3RtGPMHWqDzYyETPOR3v7El65P-rJhnIK8MFhJ63o6SwMfZ9CuqgLqighfEFNU_Jp9_Bts/s320/m4.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgid9LISVQ1rx0xo4ipfxsQZI-ezvK4aGYfBEpwx92KeufhWx8JjmmFBPlea8uO7G5BGHGgYKdvH-7wIu5xk_D58sVRuhcq8U4Uv18dnH3WMbCMcgP_BCt8oXr42G1fOGGyJQMGmT2D12s/s945/m5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="709" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgid9LISVQ1rx0xo4ipfxsQZI-ezvK4aGYfBEpwx92KeufhWx8JjmmFBPlea8uO7G5BGHGgYKdvH-7wIu5xk_D58sVRuhcq8U4Uv18dnH3WMbCMcgP_BCt8oXr42G1fOGGyJQMGmT2D12s/s320/m5.jpg" width="240" /></a></div><br /><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg4UygI1GIJmEgyF0vCzKk_62ZDdvViMsxZjStZ_zTHsNLzuXQvJUhoWIX7XAOF5_VBaESumXf7A7KInq3wpgoR_AJHrnEGLeECfUVY6lBV5pGMQQhXFuSimjym19_egciGXZHh1unkzI/s2048/_MG_8348.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1152" data-original-width="2048" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg4UygI1GIJmEgyF0vCzKk_62ZDdvViMsxZjStZ_zTHsNLzuXQvJUhoWIX7XAOF5_VBaESumXf7A7KInq3wpgoR_AJHrnEGLeECfUVY6lBV5pGMQQhXFuSimjym19_egciGXZHh1unkzI/s320/_MG_8348.jpg" width="320" /></a></div><br />fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-65615022037492875962021-01-18T01:12:00.016-08:002021-02-16T01:33:01.158-08:00 Margines błędu/Margin of error/Galeria Sztuki Wozownia/Toruń/04.12.2020-17.01.2021<div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/AHgEup2mO1M" width="320" youtube-src-id="AHgEup2mO1M"></iframe></div><br /><p><br /></p><p></p><div class="separator" style="clear: both; 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text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Barlow;"><span style="font-size: x-small;">więcej:<a href="http://wozownia.pl/magdalena-franczak-margines-bledu/">http://wozownia.pl/magdalena-franczak-margines-bledu/</a></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; text-align: start;"><span style="font-family: Barlow;">Punkt wyjścia dla „Marginesu błędu” stanowi sytuacja, której artystka była świadkiem w czasie szkolnego koncertu fortepianowego. W trakcie występu – jak wspomina Franczak – „dziewczynka pomyliła się podczas gry na fortepianie, cofnęła się o kilka taktów, po czym znowu pomyliła się w tym samym miejscu. Widownia wstrzymała oddech, napięcie było ogromne. Dziewczynka powtarzała sekwencję jeszcze kilka razy i dopiero, kiedy przekroczyła linię błędu, wszyscy odetchnęli z ulgą. Zafascynowało mnie to jakie napięcie i dyskomfort wśród publiczności wywołała ta sytuacja i zaczęłam się zastanawiać nad innymi, podobnymi sytuacjami w życiu”.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; font-family: Barlow; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><p style="background-color: white; border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px 0px 20px; padding: 0px; text-align: start; vertical-align: baseline;"><span style="font-family: Barlow;">Wystawa próbuje rozpoznać ten stan, pokazać jego różne strony, a także skłonić do zastanowienia się nad tym, co tak naprawdę kryje się za możliwością popełniania błędów i igrania z obowiązującymi normami. Magdę Franczak – jak sama podkreśla – frapują „kształty, które nie są idealne, wynaturzają się w swojej nieidealności aż do mało rozpoznawalnej formy”. „Margines błędu” jest też – jak mówi – przestrzenią niczyją, w której możemy pozwolić sobie na „rozciąganie rzeczywistości”. Wystawa proponuje namysł nad możliwością eksperymentu, tak istotnego w praktyce artystycznej; eksperymentu, który może być nie tylko weryfikowaniem i badaniem nowych interakcji, wydarzeń i przedmiotów, ale też przestrzenią schronienia, bezpiecznego eksplorowania sytuacji groźnych i irytujących. Ważnym jej elementem jest też zwrócenie uwagi na sam proces twórczy, na ukazanie działania artystycznego jako zdarzającego się w kontakcie z innymi osobami, uzależnionego od kontekstu, w którym się wykluwa i którym nasiąka w miarę swojego trwania. Proces twórczy jest dla artystki częścią współdziałania z innymi osobami, dlatego na wystawie zachęca ona odbiorców do włączenia się w tworzenie wielowątkowej rzeźby pt. „Archiwum błędu”. Oprócz tej pracy w przestrzeni Wozowni zobaczymy też rysunki, obiekty i fotografie. Wiele z nich inspirowanych jest otwartą formą (rozumianą po Hansenowsku) i ideą dialogiczności, stale podsycaną przez Franczak w jej działaniach z pogranicza sztuki i działań społecznych, angażujących różne społeczności.</span></p><p style="background-color: white; border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px 0px 20px; padding: 0px; text-align: start; vertical-align: baseline;"><span style="font-family: Barlow;"> „Margines błędu” zaprasza do dyskusji wokół rozmaitych form błądzenia, które wcale nie musi być porażką. Może być za to okazją do uważnego przyglądania się zjawiskom o charakterze jednostkowym i społecznym i do współodczuwania emocji, które tężeją w trakcie spotkań z innymi. „Margines błędu” staje się również zachętą do wnikliwej obserwacji relacji między przedmiotami, nie zawsze idealnymi, środowiskiem, w którym funkcjonują – i osobami, które oddziałują na ich status, przeznaczenie i formę. </span></p><p style="background-color: white; border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px 0px 20px; padding: 0px; text-align: start; vertical-align: baseline;"><span style="font-family: Barlow;"> Karolina Sikorska</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmqGW7bZQlnLieyF5-6I4dxl-tOf2C8PAUhyarZAfiHrpiijWVjuRHRAGLjSl0Xg6rZ56b03YVfx60ZToPjPM7wvop4HlrmOzU8Nx6X8_TYyyq567WJA4KOVmfGoVo0oSgORfywRqDCy8/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="800" data-original-width="566" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmqGW7bZQlnLieyF5-6I4dxl-tOf2C8PAUhyarZAfiHrpiijWVjuRHRAGLjSl0Xg6rZ56b03YVfx60ZToPjPM7wvop4HlrmOzU8Nx6X8_TYyyq567WJA4KOVmfGoVo0oSgORfywRqDCy8/w142-h200/stypendium_szara.jpg" width="142" /></a></div><br /><br /><br /></div><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #0000ee;"><u><br /></u></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #0000ee;"><u><br /></u></span></div><br /><br /></div><br /><br /></div><br /><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-64337341673676165132021-01-10T08:36:00.004-08:002021-01-10T08:36:32.325-08:00Pełnia/Full Moon/Kiosk ze Sztuką/Lublin/20.06-30.08.2020<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPoX8mL_PP79WWTkBmkU98PBAZ-bY3l9dzp3DiWP5YqjJdjIyVcA-7KpO5RxD-SXNXxmjTXi0H5ZdxfS4oN2L_oSzTnVEapgVoe97FY4vgHs-tJMeDoIHi6OoBq9E2UCw7TuewFrWj1JI/s2048/IMG_1747.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPoX8mL_PP79WWTkBmkU98PBAZ-bY3l9dzp3DiWP5YqjJdjIyVcA-7KpO5RxD-SXNXxmjTXi0H5ZdxfS4oN2L_oSzTnVEapgVoe97FY4vgHs-tJMeDoIHi6OoBq9E2UCw7TuewFrWj1JI/s320/IMG_1747.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNHQvN9uVi6TV6RxPxb3yX6tOM49eNl7fL_b4Z5O785RLbIXRahiV8pff9t5UAKKEQ1LIdoe5rAHdqPw3MaG59OIsSw75k6LyeMh-TzW0kCpW4XsebwWqgq1KxhgIIPnNPJ92flfya__M/s2048/p1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNHQvN9uVi6TV6RxPxb3yX6tOM49eNl7fL_b4Z5O785RLbIXRahiV8pff9t5UAKKEQ1LIdoe5rAHdqPw3MaG59OIsSw75k6LyeMh-TzW0kCpW4XsebwWqgq1KxhgIIPnNPJ92flfya__M/w400-h300/p1.jpg" width="400" /></a></div><br /><p></p>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-89184914101078495922020-05-22T04:50:00.002-07:002020-05-22T04:57:06.396-07:00Kolumna dla Helen Deutsch/column for Helen Deutsch/Przemyśl/December 2019<div class="separator" style="clear: both; text-align: center;">
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<br />fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-7220149002310714162020-03-20T11:44:00.000-07:002020-05-22T04:40:27.703-07:00Miejsce Szeptów/Place of Whisper/Nomadyczna Pracownia/ Lublin/ 09-10.2019<div class="separator" style="clear: both; text-align: center;">
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https://radio.lublin.pl/2019/10/30-10-2019-reportaz-agnieszki-czyzewskiej-jacquemet-miejsce-szeptu/fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-18742382068068082082019-10-07T02:53:00.001-07:002019-10-07T02:55:49.603-07:00Stacze/Standing People/Meet the Neigbours/ residency/Lublin/1.05.- 21.09.2019<div style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; margin: 0px;">
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">„Stojący ludzie są jak drzewa bez korzeni. Przemieszczają się, czasem o kilka centymetrów, w różnych kierunkach, kreśląc niewidzialne linie na płaszczyźnie chodnika. Czasem proste, kiedy indziej po skosie, przybierają bliżej nieokreślony kształt. Pracują stojąc. Zmieniają pozycję, odwracają się, pochylają, przesuwają w bok, przenoszą ciężar ciała z jednej nogi na drugą.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">Ograniczeniem dla ruchu jest rama stoiska, schody, skrzynki z towarem, konstrukcje z pudełek, słoiki z miodem. Obiekty wystawiennicze stworzone przez sprzedawców odzwierciedlają postawę ich ciała. Pusty szkielet targu pod koniec dnia trzyma pozycję, nie łamie postury, czeka w gotowości.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">Zastygłe w betonie metalowe pręty, wieża z plastikowych skrzynek, wijące się, puste już stoły na metalowych nogach. Próbuję przenieść energię tego ruchu do wnętrza pracowni, stworzyć niewidzialną więź – dialog pomiędzy mną a mieszkańcami osiedla.”</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">Magdalena Franczak „Stacze”</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">„Standing people are like trees without roots. They move, sometimes just few centimeters away, in different directions, drawing invisible lines on the pavement surface. The lines can be straight, sometimes curved, sometimes they can take undefined shapes. They work standing. Changing position, turning around, learning, moving aside, swaying gently from one foot to the other. Motion is limited by the shape of the stall, stairs, boxes with goods, constructions of packages, jars with honey. The exhibited objects created by vendors are mirroring the posture of their bodies. At the end of the day, the empty skeleton of the market place keeps its position, does not brake the posture, waiting in full readiness. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">Metal bars kept by concrete, tower made out of plastic boxes, curling empty tables on metal legs.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-kerning: none;">I am trying to transfer the energy of this motion to the workshop space, to create an invisible bond - a dialogue between me and the community leaving here.”</span></div>
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fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-16812870658683750992019-05-14T03:39:00.000-07:002019-06-03T23:42:31.686-07:00Stone Gloves/ Galeria Labirynt/ Lublin/ 18.05.2019- 15.07.2019<div class="separator" style="clear: both; text-align: center;">
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<br />fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-29166624691438976422018-12-03T01:16:00.001-08:002019-04-05T02:20:59.351-07:00KADUK/ESCHEAT/Fundacja Archeologia Fotografii/Warszawa 26.10 - 2.12.2018<div class="separator" style="clear: both; text-align: center;">
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<b> </b> fot. A. Hornik<br />
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<span style="font-family: Georgia, Times New Roman, serif;"><b><br /></b>
<b>Escheat </b></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b></b><br /></span></div>
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<i><span style="font-family: Georgia, Times New Roman, serif;"><span class="Apple-tab-span"> </span>Eyes I dare not meet in dreams</span></i></div>
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<i><span style="font-family: Georgia, Times New Roman, serif;"><span class="Apple-tab-span"> </span>In death’s dream kingdom</span></i></div>
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<i><span style="font-family: Georgia, Times New Roman, serif;"><span class="Apple-tab-span"> </span>These do not appear:</span></i></div>
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<i><span style="font-family: Georgia, Times New Roman, serif;"><span class="Apple-tab-span"> </span>There, the eyes are</span></i></div>
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<i><span style="font-family: Georgia, Times New Roman, serif;"><span class="Apple-tab-span"> </span>Sunlight on a broken column</span></i></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i></i><br /></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span class="Apple-tab-span"> </span>—T. S. Eliot, “The Hollow Men”</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">In 2017, the Archeology of Photography Foundation (FAF) had the opportunity to work with an extraordinary collection of photographic portraits in the possession of the Emanuel Ringelblum Jewish Historical Institute (JHI). Nearly 500 glass negatives from the 1930s were restored and catalogued by the two cooperating institutions, both based in Warsaw, and then made available online via the Virtual Museum of Photography (FAF) and Central Jewish Library (JHI) web portals. Little is known about the photographs or their provenance, including the names of those portrayed or of the images’ author. The negatives were dropped off at the Jewish Historical Institute many years back, their destination likely purposely chosen, for the individual donating them was surely aware that in the Institute’s care were the Ringelblum Archive as well as a plethora of testimonials and other documentary material pertaining to Jewish life in Poland. The chosen repository for the collection thus guided its interpretation—we can surmise that at least a significant portion of those portrayed had Jewish origins (the images themselves contain visual clues as well); and, inescapably, that many of those photographed in the 1930s would not have survived the next decade.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Concurrently in the spring of 2017, as in Warsaw a FAF conservator removed dust and soil from the negatives, trying to piece together and make whole fragments of shattered glass, the artist Magdalena Franczak, in Jerusalem, where the exhibition <i>The Day When Nothing Happened</i> was set to open, assembled her <i>Broken Column</i>, a “collaborative” sculpture consisting of a teetering tower of ceramic dishes which, at the artist’s request, had been brought to the gallery, including by complete strangers, and left to be included in the <i>Column</i>. When the exhibition closed, the individual components of the sculpture—bowls, mugs, vases—were packed up, wrapped in newspaper and cushioned by bubble wrap. They were also assigned numbers, like artifacts unearthed during an archaeological dig. Then, from September 2017 to May 2018, the sculpture, in pieces and <i>literally piece by piece</i>, was transported from Israel to Poland. This was accomplished with the help of the many individuals who volunteered to carry elements of the <i>Column</i> onto airplanes in their suitcases and hand luggage. Only three pieces were lost in the process.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">When we invited Magdalena Franczak to participate in FAF’s ongoing <i>Living Archives</i> project—an attempt to reanimate historical archives by commissioning living artists to interpret conserved material through active practice—she told us about the <i>Broken Column</i>. The symbolic meaning and resonance of a shorn column, appearing most often in the context of gravestones—be they Christian, Jewish, or anciently polytheistic—and symbolizing an interrupted life cut short unexpectedly, struck us with acute intensity when considered against the context of the JHI’s anonymous portraits of prewar Polish Jews. The artist reassembling in FAF’s gallery a “column” that serves not as an architectonic source of support but rather, through its assemblage out of shatterable ceramic, as a metaphor for impermanence, centered attention on the spire’s precarious material structure. The materiality of objects is additionally emphasized by the display of brittle glass-plate negatives swaddled, post-conservation, in protective envelopes of cotton paper. She also sculpts porcelain archival envelopes, decorative micro-forms, which patiently await the undiscovered positive prints that may exist somewhere else.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Franczak’s exhibition is, however, concentrated primarily upon individuals—those who carried to Poland the dishes and vases from her Jerusalem exhibition; and the anonymous subjects whose prewar portraits found refuge in the archives of the Jewish Historical Institute. “In this symbolic way,” Franczak says, “the living bequeathed dishes to the deceased, setting them in the material world and placing the people around an invisible table in the tenement house at <i>ulica</i> Chłodna, a customary meeting place for looking at photography albums and family photos.” However, this is not a table to which one can pull up a chair, and these photographs are separated from their “families.” They have no descendants. They are, in a sense, like an estate without a legal heir, subject to escheat, although the JHI serves as the archive’s foster protector. Notes literary theorist Roma Sendyka, <i>puścizna</i>, the Polish equivalent of the archaic “escheat,” definitionally doubles as a description for emptiness as in empty, barren expanses—as well as, for example, the “voidness” of an abandoned residence left in a state of neglect and legal limbo after the death of an heirless inhabitant. Such anachronistic juridical terms, Sendyka writes, “allow us to reconstruct the cultural and legal tradition behind both nationalized campaigns of expropriating estates from wartime deceased and individual acts of dispossession. The appropriation of something by ‘someone who is not entitled to it’ is not a spontaneous act but one that is regulated—by practice and institutions.”</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><sup></sup><br /></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Magdalena Franczak avoids exploiting the JHI collection; she does not appropriate the material, nor does she claim, by artistic escheat, authorship of it. She embraces its emptiness—a void of corroboratory data—filling it, like a vessel, with the potentiality of a living and breathing contemporaneity. The images she chose to frame and hang, printed from the glass negatives, appear as if they were snapshots of the artist’s long-lost friends and acquaintances, with her collages resembling photo-booth strips. A lack of biographical information about those depicted requires us to scour the images for germane details; and every last speck of information that allows us to “find out more about” is at a premium. We take note of badges, Hashomer Hatzair scout uniforms, summer outfits and winter outerwear. We seek out the “familiar” faces of reappearing subjects, who, in a short time, become almost like old friends to us (as they perhaps were to the photographer). In the process, we also consider the conventions of portraiture; in this case, the portraits always en face, suggesting that many of them were made for the purposes of identification documents. The artist frees the material from solely historical interpretations, leading us away from such analytical limitations through her works: a column, collages, porcelain forms, and a table. It is thanks to these complementary creations that we do not merely regard the portrait collection as fossilized. Instead, we focus on its rediscovered beauty. And the potentiality of its void.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">—Karolina Puchała-Rojek</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">(trans. Stefan Lorenzutti and Joanna Osiewicz-Lorenzutti)</span></div>
fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-81156417712776987222018-09-18T01:46:00.000-07:002019-04-05T02:20:14.571-07:00Krawiecka 31/Open City/Lublin <div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #333333; letter-spacing: 0.48px; line-height: 24px;"><span style="font-family: Georgia, Times New Roman, serif;">This work restores the already nonexistent Krawiecka street to the topography of the city. Before the Second World War, the street was inhabited by Jews. Foundations of their houses were covered by debris and layers of dirt, and overgrown with grass. Still, however, traces of the old life emerge from beneath the ground. Despite the void and absence of Krawiecka street’s residents, citizens of Lublin unknowingly keep treading along a path in the grass where the street used to run. Now, however, the path functions as a shortcut to a nearby shopping mall. Franczak’s project is located at the end of the path, from where the view on the nonexistent street is unimpeded. The artist’s work takes the form of a house partially buried in the ground, or maybe rather emerging from it. This piece enters into dialogue with history; it is a tale of remembering and of forgetting. At 31 Krawiecka street, there used to be a steam bath, a place of discipline-driven and modern hygiene, but at the same time – a place of symbolic cleansing and ritual rebirth of the world.</span></span>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-65462253128329071322018-06-04T02:36:00.001-07:002018-06-12T23:19:24.787-07:00Zwoje/Scrolls/Galeria Biała/Lublin 2018<div class="separator" style="clear: both; text-align: center;">
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<br />fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-88071846367499894212018-02-26T08:19:00.001-08:002018-12-03T01:30:52.736-08:0012 Stories/Atelierhaus Salzamt/Linz/2018<span style="font-family: "georgia" , "times new roman" , serif;">The "12 Stories" project is an attempt to visually tell the narration entrusted to the artist. Entering the local community of Linz, built of people of all ages, gender and cultural roots, from the position of a person coming from outside world for a short period of time. The artist becomes a kind of medium, listening to 12 stories of various people, referring to the photographs that they bring. Each of these stories will enclose in a collage, that will become the only kind of registration. Without a sound recording or notes – each of the stories will be remembered and visually elaborated by the artist after hearing it.
People invited to the project are residents of the city of Linz, who want to share with the visiting artist their story – a story that, through a collage created in a later process, will connect those two strangers for a moment.</span><br />
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fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.comtag:blogger.com,1999:blog-4680246719288076025.post-2225980485151372932018-02-26T07:59:00.002-08:002018-02-26T07:59:27.130-08:00Przedmioty i Ludzie/ site specific/Lublin 2017<div class="separator" style="clear: both; text-align: center;">
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<i>"Objects carry the energy of people they belonged to, their habits,
affection or lack thereof, a sentimental disposition. If we sharpen our
senses, we can hear their stories: how they moved from one owner
to another, where they were exhibited, when they turned up in our home.
We might even find out what time of year it was, or what was served for
dinner that day. Objects activate memories that often are associated
with people who are not with us anymore. They also reveal the truth
about what we leave behind."<a href="http://kulturaenter.pl/en/article/art-cataloguing-memories/" target="_blank"> more: http://kulturaenter.pl/en/article/art-cataloguing-memories/</a></i>fhttp://www.blogger.com/profile/07205406627633178971noreply@blogger.com